{"id":895,"date":"2026-02-12T11:03:18","date_gmt":"2026-02-12T11:03:18","guid":{"rendered":"https:\/\/cehre.net\/?p=895"},"modified":"2026-02-12T11:03:18","modified_gmt":"2026-02-12T11:03:18","slug":"performer-who-was-a-bush-in-bad-bunnys-halftime-show-shares-his-pay-details-2","status":"publish","type":"post","link":"https:\/\/cehre.net\/?p=895","title":{"rendered":"Performer Who Was a \u2018Bush\u2019 in Bad Bunny\u2019s Halftime Show Shares His Pay Details"},"content":{"rendered":"\n

On February 8, 2026<\/strong>, Bad Bunny delivered one of the most visually stunning and culturally significant Super Bowl halftime shows<\/strong> in recent memory.<\/p>\n\n\n\n

Performing at Levi\u2019s Stadium in Santa Clara, California, the Puerto Rican superstar captivated millions with a 14-minute spectacle that celebrated his heritage, embraced Latin culture, and featured a lineup of guest stars, high-energy choreography, and a unifying message of love and inclusivity.<\/p>\n\n\n\n

While the halftime show itself received widespread praise for its innovation, style, and energy, a tiny, seemingly minor detail quickly went viral: the \u201cgrass\u201d covering the stage during parts of the performance wasn\u2019t simply a stage prop\u2014it was 500 dancers dressed as plants<\/strong>, moving in perfect synchronization to create the illusion of a living Puerto Rican sugarcane field.<\/p>\n\n\n\n

The Show That Captured the World<\/h2>\n\n\n\n

Bad Bunny, born Benito Antonio Mart\u00ednez Ocasio<\/strong>, approached the Super Bowl with a vision: to showcase his Puerto Rican roots on one of the world\u2019s largest stages.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

From the moment the show began with \u201cTit\u00ed Me Pregunt\u00f3\u201d<\/strong>, audiences were transported into a whirlwind of Puerto Rican life.<\/p>\n\n\n\n

The performance featured scenes inspired by bustling nail salons, domino games in town squares, rooftop weddings, and vibrant street scenes.<\/p>\n\n\n\n

Flags from across the Americas waved proudly in the stands, emphasizing the message that this was a celebration not just of Puerto Rico, but of the Latin American community as a whole.<\/p>\n\n\n\n

The halftime set included guest appearances by Lady Gaga and Ricky Martin<\/strong>, both of whom brought their own flair to the performance.<\/p>\n\n\n\n

Lady Gaga delivered a sizzling, salsa-infused version of \u201cDie With a Smile,\u201d combining her world-famous vocals with intricate choreography alongside Bad Bunny. Ricky Martin joined for a medley of classic hits, blending seamlessly into the high-energy spectacle.<\/p>\n\n\n\n

The visuals were a feast for the senses: colorful costumes, dramatic lighting, and an innovative stage design that included giant platforms, moving props, and of course, the living sugarcane field.<\/p>\n\n\n\n

Millions of viewers\u2014estimated at around 135.4 million<\/strong>\u2014tuned in, making it one of the most-watched halftime shows in history. Social media exploded in response, with fans praising the performance for its authenticity, energy, and celebration of culture.<\/p>\n\n\n\n

On Twitter and X, clips went viral, and hashtags referencing the show trended worldwide. The show was not just entertainment; it became a cultural statement.<\/p>\n\n\n\n

The Humans Behind the Grass<\/h2>\n\n\n\n

While fans were dazzled by the moving sugarcane field, very few realized that the \u201cgrass\u201d was actually made up of human performers, each wearing a 50-pound costume designed to resemble a stalk of sugarcane or other greenery.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

One of these performers, Andrew Athias<\/strong>, better known on X as \u201cThe Reese\u2019s Guy,\u201d revealed the intricacies of being part of this unique Super Bowl spectacle.<\/p>\n\n\n\n

Andrew flew in from Philadelphia weeks before the show to rehearse with the crew. Only performers who met strict physical requirements<\/strong> were considered: height between 5\u20197\u201d and 6\u20190\u201d<\/strong>, an athletic build, and the ability to carry a heavy costume for hours at a time.<\/p>\n\n\n\n

\u201cIt was more physically demanding than it looked,\u201d Andrew explained. \u201cYou\u2019re holding still for long periods, sometimes in the sun or under stadium lights, while wearing a costume that weighs more than most people\u2019s backpacks. And we had to stay in character\u2014completely still, like we were one with the grass.\u201d<\/p>\n\n\n\n

He described his role as deceptively simple: \u201cThey told me where to stand, and I was just supposed to \u2018be the grass.\u2019 No moving, no talking, no reacting.<\/p>\n\n\n\n

Just stand there and be part of the field. It sounds easy, but it\u2019s harder than you think when you know millions are watching.\u201d<\/p>\n\n\n\n

The secrecy surrounding the production added another layer of challenge. All 500 \u201cgrass\u201d performers signed non-disclosure agreements<\/strong> that forbade them from posting about the set, sharing photos, or discussing their roles online for two weeks.<\/p>\n\n\n\n

\u201cI had all this knowledge about the show, the choreography, the guest appearances\u2014it was torture not to talk about it or post anything,\u201d Andrew said.<\/p>\n\n\n\n

In terms of pay, Andrew revealed that despite the high-profile nature of the event, compensation was modest: $18.70 per hour<\/strong>, which included time spent on fittings and rehearsals. Nevertheless, he said he would have done it for free for the sheer experience of being part of a Super Bowl halftime show.<\/p>\n\n\n\n

Another performer, Jos\u00e9 Villanueva<\/strong>, described the surreal experience of being on the field: \u201cIt\u2019s something totally different being down there, part of this massive production.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

I wanted to cry. The lights, the cameras, the energy\u2014it\u2019s overwhelming, but incredible. You feel like you\u2019re part of something historic.\u201d<\/p>\n\n\n\n

Behind the Creative Vision<\/h2>\n\n\n\n

The concept of a living sugarcane field<\/strong> was part of Bad Bunny\u2019s commitment to bringing authentic Puerto Rican culture to the halftime stage. Sugarcane is symbolic in Puerto Rico, representing both the island\u2019s agricultural history and the resilience of its people.<\/p>\n\n\n\n

The decision to use real people instead of props brought a human element<\/strong> to the performance, emphasizing community, movement, and life.<\/p>\n\n\n\n

Bad Bunny and his creative team spent months preparing the performance, coordinating rehearsals, costumes, lighting, and camera angles.<\/p>\n\n\n\n

The production had to synchronize perfectly with the stadium\u2019s lighting cues, camera operators\u2019 movements for the live broadcast, and choreography from all guest performers.<\/p>\n\n\n\n

This level of precision required intense focus from everyone involved, especially the 500 \u201cplant\u201d performers who remained motionless or moved in controlled ways to create the illusion of swaying sugarcane.<\/p>\n\n\n\n

The Viral Reaction<\/h2>\n\n\n\n

The \u201cgrass\u201d detail quickly became the talk of the internet<\/strong>. Fans were amazed to learn that what looked like stage props were actually human performers.<\/p>\n\n\n\n

Clips circulated showing the subtle movements of the \u201cgrass,\u201d and people marveled at the level of coordination required to pull off such a feat.<\/p>\n\n\n\n

Of course, not everyone was thrilled. Former President Donald Trump<\/strong> took to Truth Social to criticize the performance, calling it \u201cabsolutely terrible\u201d and \u201cone of the worst.\u201d<\/p>\n\n\n\n

He described it as a \u201cslap in the face to our country.\u201d The critique sparked debate across social media platforms, with commentators like Piers Morgan<\/strong> firing back: \u201cCouldn\u2019t disagree more, Mr. President. I absolutely loved Bad Bunny\u2019s halftime show \u2026 Oh, and Spanish is the first language for over 50 million Americans!\u201d<\/p>\n\n\n\n

Despite the political commentary, the focus largely remained on the show\u2019s creative brilliance<\/strong> and cultural significance. For many, the performance was a historic moment for Latin representation on one of the world\u2019s largest entertainment stages.<\/p>\n\n\n\n

Cultural Highlights<\/h2>\n\n\n\n

Bad Bunny\u2019s halftime show celebrated Puerto Rican life in vivid detail<\/strong>. The performance opened with a high-energy rendition of \u201cTit\u00ed Me Pregunt\u00f3,\u201d followed by scenes highlighting everyday Puerto Rican culture: lively domino games in town squares<\/strong>, bustling nail salons<\/strong>, and vibrant rooftop weddings<\/strong>.<\/p>\n\n\n\n

The storytelling aspect of the set resonated deeply with viewers, many of whom praised the authenticity and pride embedded in the performance.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Guest performers enhanced the experience. Lady Gaga\u2019s salsa-infused segment added an unexpected layer of energy and technical skill, while Ricky Martin\u2019s medley connected the show to a broader Latin American legacy.<\/p>\n\n\n\n

The show concluded with Bad Bunny giving a heartfelt shoutout to Puerto Rico and other countries in the Americas<\/strong>, emphasizing unity and cultural pride.<\/p>\n\n\n\n

One particularly touching moment caused a social media stir: Bad Bunny handed a Grammy Award to a young boy in the audience.<\/p>\n\n\n\n

Rumors initially spread that the child was Liam Conejo Ramos<\/strong>, a 5-year-old recently detained by ICE. TMZ later confirmed the boy was Lincoln Fox Ramadan<\/strong>, a young actor chosen to inspire children watching at home. The gesture was widely celebrated as an uplifting moment rather than a political statement.<\/p>\n\n\n\n

The Human Cost and Experience<\/h2>\n\n\n\n

Being part of a Super Bowl halftime show is demanding, even for seasoned performers. For the \u201cgrass\u201d dancers, standing in a 50-pound costume for hours required physical stamina, mental focus, and emotional patience<\/strong>.<\/p>\n\n\n\n

Rehearsals often lasted several hours, and the performers had to memorize precise positions and movements to create a seamless visual effect.<\/p>\n\n\n\n

The commitment of performers like Andrew Athias and Jos\u00e9 Villanueva demonstrates the invisible labor<\/strong> behind some of the most spectacular entertainment moments in the world.<\/p>\n\n\n\n

While the audience sees a few minutes of stunning visuals, months of preparation, coordination, and endurance make such moments possible.<\/p>\n\n\n\n

Audience Reception<\/h2>\n\n\n\n

Fans across social media praised the halftime show for its energy, visuals, and cultural authenticity. Comments flooded platforms like Twitter, Instagram, and TikTok:<\/p>\n\n\n\n

    \n
  • \u201cBad Bunny just raised the bar for every halftime show ever. That sugarcane field? Genius.\u201d<\/li>\n\n\n\n
  • \u201cLady Gaga and Ricky Martin were incredible, but the real MVPs are those dancers in the grass!\u201d<\/li>\n\n\n\n
  • \u201cThis is why representation matters. Puerto Rican culture has never looked this good on a stage this big.\u201d<\/li>\n<\/ul>\n\n\n\n

    Some viewers admitted they had no idea the \u201cgrass\u201d was human, expressing astonishment once the reveal came to light.<\/p>\n\n\n\n

    The combination of choreography, costume design, and stagecraft demonstrated the meticulous planning and creativity<\/strong> behind the performance.<\/p>\n\n\n\n

    Legacy of the Show<\/h2>\n\n\n\n

    Bad Bunny\u2019s Super Bowl LX halftime show was more than just entertainment; it was a cultural milestone<\/strong>. It showcased the richness of Puerto Rican life, celebrated Latin culture, and introduced millions of viewers to elements of daily life on the island through music, movement, and storytelling.<\/p>\n\n\n\n

    \"\"<\/figure>\n\n\n\n

    By incorporating human performers as part of the stage, the show blurred the lines between audience and performance, art and reality.<\/p>\n\n\n\n

    The show also emphasized community and inclusion<\/strong>, demonstrating how representation on a global platform can inspire millions of viewers to embrace diversity, celebrate heritage, and pursue their dreams.<\/p>\n\n\n\n

    For the performers themselves, especially the 500 dancers disguised as sugarcane and plants, the experience was transformative\u2014a once-in-a-lifetime opportunity to be part of something historic.<\/p>\n\n\n\n

    Conclusion<\/h2>\n\n\n\n

    Bad Bunny\u2019s halftime show at Super Bowl LX<\/strong> will be remembered for years as one of the most innovative, visually stunning, and culturally significant performances in Super Bowl history.<\/p>\n\n\n\n

    From the 500 dancers who embodied the sugarcane field<\/strong> to guest appearances by Lady Gaga and Ricky Martin, every detail reflected careful planning, artistic vision, and respect for Puerto Rican culture.<\/p>\n\n\n\n

    The viral revelation that the \u201cgrass\u201d was human performers only added to the fascination, highlighting the effort, endurance, and creativity required to bring such a bold vision to life.<\/p>\n\n\n\n

    Millions of fans were captivated not only by the music and spectacle but by the cultural pride and storytelling embedded in every element of the performance.<\/p>\n\n\n\n

    In the end, Bad Bunny\u2019s halftime show was more than a musical performance\u2014it was a celebration of heritage, community, and artistry<\/strong>.<\/p>\n\n\n\n

    It reminded viewers around the world of the importance of representation, the power of music to unite, and the incredible human effort that goes into creating moments that will be remembered forever.<\/p>\n","protected":false},"excerpt":{"rendered":"

    On February 8, 2026, Bad Bunny delivered one of the most visually stunning and culturally significant Super Bowl halftime shows in recent memory. Performing at Levi\u2019s Stadium in Santa Clara, California, the Puerto Rican superstar captivated millions with a 14-minute spectacle that celebrated his heritage, embraced Latin culture, and featured a lineup of guest stars, high-energy choreography, and …<\/p>\n","protected":false},"author":1,"featured_media":896,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-895","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/cehre.net\/index.php?rest_route=\/wp\/v2\/posts\/895","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cehre.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cehre.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cehre.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cehre.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=895"}],"version-history":[{"count":1,"href":"https:\/\/cehre.net\/index.php?rest_route=\/wp\/v2\/posts\/895\/revisions"}],"predecessor-version":[{"id":897,"href":"https:\/\/cehre.net\/index.php?rest_route=\/wp\/v2\/posts\/895\/revisions\/897"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cehre.net\/index.php?rest_route=\/wp\/v2\/media\/896"}],"wp:attachment":[{"href":"https:\/\/cehre.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=895"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cehre.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=895"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cehre.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=895"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}